Friday, April 9, 2010

PHOTO'S OF THE MODEL - ROBERT VENTURI'S MOTHER'S HOUSE



VIEW OF THE FRONT OF THE HOUSE



VIEW OF THE FRONT OF THE HOUSE




VIEW OF THE REAR OF THE HOUSE



VIEW TO THE REAR OF THE HOUSE


ANGLED VIEW OF SECTION TO THE FRONT OF THE HOUSE




ANGLED VIEW OF SECTION TO THE REAR OF THE HOUSE




VIEW SHOWING TWO PART OF THE HOUSE THE SECTION LINE



STRAIGHT VIEW OF SECTION TOWARD THE REAR OF THE HOUSE




STRAIGHT VIEW OF SECTION TOWARD THE FRONT OF THE HOUSE


POCHE'S DRAWINGS OF ROBERT VENTURI'S MOTHER''S HOUSE



SITE PLAN - SHOWING THE POSITION OF THE HOUSE WITHIN THE CONTEXT OF THE SITE



GROUND FLOOR & FIRST FLOOR POCHE'S DRAWINGS



CROSS SECTION & LONG SECTION POCHE'S DRAWINGS



FOUR ELEVATION - POCHES DRAWINGS & RENDERINGS

PARTI'S RENDERINGS OF ROBERT VENTURI'S MOTHER HOUSE


GROUND FLOOR PLAN PARTI'S RENDERING



FIRST FLOOR PLAN PARTI'S RENDERING


LONG SECTION PARTI'S RENDERING




CROSS SECTIONS PARTI'S RENDERING

ROBERT VENTURI'S MOTHER'S HOUSE

The house Robert Venturi designed for his mother, is a house that is at first difficult to understand, although the house is a simple three bedroom home on a flat site, with a pitched roof, the reality of it is that there are many interesting & more involved parts to the house than what is noticed on the initial observation. For example the roof on such a shaped house would generally be pitched in the opposite direction to the way that it is pitched, which tends to invite the thought of a grand scale to the building, however in actually fact the building is small in scale.

There are intricacies within the design like the stair case, which starts as a fairly standard width stair case, but then widens dramatically only to stop you dead in your tracks as you come face to face with the side of the fire place. inviting you to meander your way around the breast of the fire place to bring you to a point where you need to negotiate a narrow passage to the first floor bedroom.

Also the fact the as a whole that the house is generally symetrical, but on closer observation of the detail, it is actually not completely symetrical, a direction that the architect took, no doubt to try and enhance the experience of the visitor or proprieter.

These are but a few of the dissensions that ly within the building, especially at a time when buildings where thought to be needed to be stripped of there complexities, this house was prominent with them but not in the way of old, but in the way of the new.


VIEW TO THE FRONT OF THE MOTHERS HOUSE

Monday, June 22, 2009

"THE LINKS"

ARCH_1101 2009 EXP3_FINAL_2009_WILLIAM_LINEHAN_z3293108

ARCH-1101-2009-EXP3-DRAFT2-WILLIAM_LINEHAN_Z3293108

ARCH_1101 2009 EXP3_DRAFT1_WILLIAM_LINEHAN_Z3293108

ARCH 1101 2009 EXP3 SKETCHUP MODEL WILLIAM LINEHAN Z3293108

"DINING TABLE"


THE IDEA FOR THE DINING TABLE CAME
FROM THE IDEA OF A SET OF SCALES
AS IN THE "BALANCE OF POWER"


THE DINING TABLE IS SITUATED AT AN ELEVATED
FLOOR LEVEL FROM THE EXTERNAL COMMON SPACE,
ALSO THE COLOURS BLACK & WHITE ARE IN BALANCE
AS IN "YING & YANG".


VIEW OF THE DINING TABLE IN THE MEETING ROOM
SHOWING THE ELEVATOR DIRECTIONS UP & DOWN,
VERY COOL NEUTRAL COLOURS IN THE MEETING ROOM.

"MIUCCIA PRADA'S OFFICE SPACE"


MIUCCIA PRADA'S OFFICE IS BUILT AROUND THE IDEA
THAT SHE WOULD BE VIEWING FASHIONS SO I INCORPORATED
A DRESSING ROOMS WITH A RUNWAY AND HER DESK
AT THE END OF THE RUNWAY FOR HER VIEWING PLEASURE.


VIEW OF THE ELEVATORS AND THE DRESSING ROOM
I USED A VIBRANT POWERFUL RED COLOUR AS THE
COLOUR FOR MIUCCIA'S SPACE.


THE RUNWAY & DESK WITH ONE OF THE PATHWAYS
IN THE BACKGROUND, I PUT MIUCCIA SPACE ON THE
BOTTOM FLOOR SUNKEN WITH WALLS
SLOPING OUT FROM THE TOP SO SHE COULD TAKE
INSPIRATION FROM WHAT IS GOING ON AROUND HER.