VIEW LOOKING UP TO THE MODEL
VIEW LOOKING DOWN TO THE MODEL
Monday, May 11, 2009
INDEPENDENT STUDY 1 - EXP 3
"UNREAL TOURANMENT 2004 - IMAGES"
VIEW LOOKING UP TO THE MODEL
VIEW LOOKING DOWN TO THE MODEL
VIEW LOOKING UP TO THE MODEL
VIEW LOOKING DOWN TO THE MODEL
Monday, May 4, 2009
"EXPERIMENT 2 - FINAL SUBMISSIN"
"JAQUES-YVES COUSTEAU"
THIS IMAGE SHOW THE RAMP ENTRY FROM
JAQUES LABRATORY.THE TEXTURE ON THE SIDE OF THE VERTICAL PANELLS ARE THE MEDIUM TEXTURE FROM THE NOTEBOOK TEXTURES.
"THIS IMAGE IS FROM WITHIN THE THE VESSEL WHICH IS jAQUES LABRATORY AS IN LIFE HE LIKED TO SAIL AND BE ON THE WATER SO HE WILL IN HIS LABRATORY, AS IN A BOAT, THE LABRATORY IS SUSPENDED AND HE WILL HAVE THE ABILITY TO BE ABLE TO VIEW 360 DEGREES AS IN A SHIP OR BOAT. THE TEXTURE WRAPPING THE LOWER LIKE WALLS OF THE SAPCE ARE MY LIGHT TEXTURE FROM NOTEBOOK.
"ALFRED NOBLE"
VIEW FROM ALFRED NOBLES LABRATORY WITH AN OPEN MEZZANINE LEVE WHERE IDEAS CAN RISE FROM THE MEETING ROOM OF GREAT MINDS, AND FILL THE SPACE FOR INSPIRATION. HE CAN ALSO SEE WHEN JAQUES IS IN OR APPROACHING THE MEETING ROOM.
VIEW FROM ALFRED NOBLE'S LAB NOTICE THE FLOATING CEILING WITH LIGHTING BEHIND IT SO LIGHT FLOODS DOWN OVER THE CEILING PANEL LIKE ALFREDS IDEAS WOULD, ALSO THE LARGE GLASS PANELS TO THE EXTERNAL FOR THE VIEW & INSPIRATION, HE CAN ACTUALLY SEE JAQUES IN HIS LAB. THEFLOOR TEXTURE IS MY DARK TEXTURE FROM NOTEBOOK.
"THE RAMPS"
THIS VIEW SHOWS THE ENTRY POINTS OF BOTH RAMPS THE ONE TO THE LEFT IS LEADING TO ALFRED NOBLE LAB AND THE STAIR TO THE RIGHT LEADS UP TO THE RAMP WITH THE TUNNEL LIKE VERTICAL PANELS WHICH LEADS TO JAQUES-YVES COUSTEAU LAB. THE TUNNEL REPRESENT THE CHANNELING OF IDEAS FROM THE MEETING SPACE TO THE LAB. THE TEXTURE ON THE FLOOR IS THE DARK TEXTURE FROM MY NOTEBOOK.
THIS IMAGE SHOWS THE RAMP AS ALMOST A TUNNEL, BUT IT IS OPEN TO NATURE & IDEAS JUST HOW JAQUES WOULD HAVE LIKED IT.
THIS IMAGE SHOWS THE MEETING POIT PROTRUDING FROM THE EDGE WITH THE RAMP IN ALL ITS GLORY, I CHOSE NOT TO COVER THE RAMP COMPLETELY I WANTED OPENESS WHILE STILL MAINTAINING THE EFFECT OF THE CHANELLING OF IDEAS. THE TEXTURE ON THE VERTICAL PANELS OF THE RAMP ARE THE MEDIUM TEXTURE FROM MY NOTEBOOK.
"THE EXTERNAL IMAGES"
VIEW SHOWING THE EXTERNAL OF THE ARCHITECTURE ALONG THE FACE OF THE EDGE.
EXTERNAL IMAGE OF THE ARCHITECTURE, THE ROOF OVER THE LAB SPACE FOR REPRESENTS THE VEIL FORM JAQUES FIRST QUOTE.
EXTERNAL IMAGE OF ARCHITECTURE.
"THE LINK"
http://files.filefront.com/DM+ARCH1101+WILLIAM+LINEH2ut2/;13708117;/fileinfo.html
I WAS REALLY DISAPPOINTED IN THE LIGHTING, I ACTUALLY DESIGNED CERTAIN ELEMENTS ESPECIALLY FOR THE LIGHTING. I COULDN'T GET THE LIGHT PROPERTIES DIALOGUE BOX TO COME UP I DON'T KNOW WHY IT WAS WORKING ALL ALONG AND NOT MATTER WHAT I DID I COULDNT GET IT TO APPEAR.
THIS IMAGE SHOW THE RAMP ENTRY FROM
JAQUES LABRATORY.THE TEXTURE ON THE SIDE OF THE VERTICAL PANELLS ARE THE MEDIUM TEXTURE FROM THE NOTEBOOK TEXTURES.
"THIS IMAGE IS FROM WITHIN THE THE VESSEL WHICH IS jAQUES LABRATORY AS IN LIFE HE LIKED TO SAIL AND BE ON THE WATER SO HE WILL IN HIS LABRATORY, AS IN A BOAT, THE LABRATORY IS SUSPENDED AND HE WILL HAVE THE ABILITY TO BE ABLE TO VIEW 360 DEGREES AS IN A SHIP OR BOAT. THE TEXTURE WRAPPING THE LOWER LIKE WALLS OF THE SAPCE ARE MY LIGHT TEXTURE FROM NOTEBOOK.
"ALFRED NOBLE"
VIEW FROM ALFRED NOBLES LABRATORY WITH AN OPEN MEZZANINE LEVE WHERE IDEAS CAN RISE FROM THE MEETING ROOM OF GREAT MINDS, AND FILL THE SPACE FOR INSPIRATION. HE CAN ALSO SEE WHEN JAQUES IS IN OR APPROACHING THE MEETING ROOM.
VIEW FROM ALFRED NOBLE'S LAB NOTICE THE FLOATING CEILING WITH LIGHTING BEHIND IT SO LIGHT FLOODS DOWN OVER THE CEILING PANEL LIKE ALFREDS IDEAS WOULD, ALSO THE LARGE GLASS PANELS TO THE EXTERNAL FOR THE VIEW & INSPIRATION, HE CAN ACTUALLY SEE JAQUES IN HIS LAB. THEFLOOR TEXTURE IS MY DARK TEXTURE FROM NOTEBOOK.
"THE RAMPS"
THIS VIEW SHOWS THE ENTRY POINTS OF BOTH RAMPS THE ONE TO THE LEFT IS LEADING TO ALFRED NOBLE LAB AND THE STAIR TO THE RIGHT LEADS UP TO THE RAMP WITH THE TUNNEL LIKE VERTICAL PANELS WHICH LEADS TO JAQUES-YVES COUSTEAU LAB. THE TUNNEL REPRESENT THE CHANNELING OF IDEAS FROM THE MEETING SPACE TO THE LAB. THE TEXTURE ON THE FLOOR IS THE DARK TEXTURE FROM MY NOTEBOOK.
THIS IMAGE SHOWS THE RAMP AS ALMOST A TUNNEL, BUT IT IS OPEN TO NATURE & IDEAS JUST HOW JAQUES WOULD HAVE LIKED IT.
THIS IMAGE SHOWS THE MEETING POIT PROTRUDING FROM THE EDGE WITH THE RAMP IN ALL ITS GLORY, I CHOSE NOT TO COVER THE RAMP COMPLETELY I WANTED OPENESS WHILE STILL MAINTAINING THE EFFECT OF THE CHANELLING OF IDEAS. THE TEXTURE ON THE VERTICAL PANELS OF THE RAMP ARE THE MEDIUM TEXTURE FROM MY NOTEBOOK.
"THE EXTERNAL IMAGES"
VIEW SHOWING THE EXTERNAL OF THE ARCHITECTURE ALONG THE FACE OF THE EDGE.
EXTERNAL IMAGE OF THE ARCHITECTURE, THE ROOF OVER THE LAB SPACE FOR REPRESENTS THE VEIL FORM JAQUES FIRST QUOTE.
EXTERNAL IMAGE OF ARCHITECTURE.
"THE LINK"
http://files.filefront.com/DM+ARCH1101+WILLIAM+LINEH2ut2/;13708117;/fileinfo.html
I WAS REALLY DISAPPOINTED IN THE LIGHTING, I ACTUALLY DESIGNED CERTAIN ELEMENTS ESPECIALLY FOR THE LIGHTING. I COULDN'T GET THE LIGHT PROPERTIES DIALOGUE BOX TO COME UP I DON'T KNOW WHY IT WAS WORKING ALL ALONG AND NOT MATTER WHAT I DID I COULDNT GET IT TO APPEAR.
"36 LIGHT & DARK CUSTOM TEXTURES"
"THE LIGHT & DARK FORM THE BASIS FOR GOOD CONTRAST & COMPOSITION"
"BLOSSOMING"
"SWIRLY"
"RETURNING"
"STAMPED"
"HATCHED"
"STAMPED"
"BLOSSOMING"
"SWIRLY"
"RETURNING"
"STAMPED"
"HATCHED"
"STAMPED"
PARALLEL PROJECTIONS SKETCH BOOK DRAWINGS
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