ARCH_1101 2009 EXP3_FINAL_2009_WILLIAM_LINEHAN_z3293108
ARCH-1101-2009-EXP3-DRAFT2-WILLIAM_LINEHAN_Z3293108
ARCH_1101 2009 EXP3_DRAFT1_WILLIAM_LINEHAN_Z3293108
ARCH 1101 2009 EXP3 SKETCHUP MODEL WILLIAM LINEHAN Z3293108
Monday, June 22, 2009
"DINING TABLE"
THE IDEA FOR THE DINING TABLE CAME
FROM THE IDEA OF A SET OF SCALES
AS IN THE "BALANCE OF POWER"
THE DINING TABLE IS SITUATED AT AN ELEVATED
FLOOR LEVEL FROM THE EXTERNAL COMMON SPACE,
ALSO THE COLOURS BLACK & WHITE ARE IN BALANCE
AS IN "YING & YANG".
VIEW OF THE DINING TABLE IN THE MEETING ROOM
SHOWING THE ELEVATOR DIRECTIONS UP & DOWN,
VERY COOL NEUTRAL COLOURS IN THE MEETING ROOM.
"MIUCCIA PRADA'S OFFICE SPACE"
MIUCCIA PRADA'S OFFICE IS BUILT AROUND THE IDEA
THAT SHE WOULD BE VIEWING FASHIONS SO I INCORPORATED
A DRESSING ROOMS WITH A RUNWAY AND HER DESK
AT THE END OF THE RUNWAY FOR HER VIEWING PLEASURE.
VIEW OF THE ELEVATORS AND THE DRESSING ROOM
I USED A VIBRANT POWERFUL RED COLOUR AS THE
COLOUR FOR MIUCCIA'S SPACE.
THE RUNWAY & DESK WITH ONE OF THE PATHWAYS
IN THE BACKGROUND, I PUT MIUCCIA SPACE ON THE
BOTTOM FLOOR SUNKEN WITH WALLS
SLOPING OUT FROM THE TOP SO SHE COULD TAKE
INSPIRATION FROM WHAT IS GOING ON AROUND HER.
"OBAMA'S OFFICE SPACE"
VIEW FROM BEHIND HANGING SCREEN TOWARDS
THE MAIN OFFICE SPACE OF OBAMA'S OFFICE, WITH
THE ELEVATORS DIRECTIONS SHOWING.
VIEW OF WHAT OBAMA WOULD SEE FROM HIS
OWN OFFICE SPACE LOOKING OUTSIDE, THERE
ARE THREE DIFFERENT LEVELS SHOWN IN THIS VIEW.
THE HANGING SCREENS IN OBAMA'S OFFICE
CAME FROM THE FIRST ut3 MODELS OF THE "F" SHAPE
WHERE I HAD ONE OF THE ELEMENTS OF THE "F" ON IT'S SIDE AND
IT HUNG FROM THE CEILING, COMMENTS WERE MADE OF HOW IT LOOKED INTERESTING, SO I THOUGH HOW I COULD MAKE IT RELEVANT.
I CAME UP WITH THE IDEA THAT OBAMA'S "POWER" WAS ALWAYS HANGING
IN THE BALANCE AND THE HANGING SCREENS WERE THERE AS A REMINDER TO HIS STAFF THAT THAT WAS THE CASE AND DILIGENCE WAS ALWAYS NEEDED TO MAINTAIN THAT "POWER."
"EXTERNAL IMAGES OF ARCHITECTURE"
EXTERNAL IMAGE FROM OTHER
EXTERNAL IMAGE WITH PATHWAY TO ENTRY
THE IDEA OF THE STRUCTURE WAS ALSO BASED ON THE IDEA OF
THE "BALANCE OF POWER" WITH MIUCCIA'S OFFICE UNDER OBAMA'S
WHICH IS PERCHED OVER AND SEEMS TO BE BALANCING PRECARIOUSLY.
VIEW OF THE MID LEVEL OUTDOOR SPACE WITH THE
ELEVATORS DIRECTIONAL SIGNS SHOWING.
THE COLURS FOR THE TWO CLIENTS WERE CHOSEN AS RED FOR
MIUCCIA'S OFFICE & A POWERFUL BLUE FOR OBAMA'S, YOU MIGHT NOTICE THE
ELEVATORS ENTRY POINTS ARE COLOUR'S IN SIMILAR TONES BUT A MORE NEUTRAL TO ALSO CREATE AS SENSE OF BALANCE WHILE MOVING BETWEEN THE SPACES, UNTIL ARRIVING IN EACH CLIENTS OFFICE.
EXTERNAL IMAGE FROM ANOTHER ANGLE NOTICE MIUCCIA
OFFICE SEEMS VERY GROUNDED AND CONNECTED TO THE GROUND.
EXTERNAL IMAGE FROM OTHER SIDE, SHOWING ALL
THREE LEVELS, WITH OBAMA'S OFFICE BALANCING OVER THE
CENTRE STRUCTURE. NOTICE THE NEUTRAL COLOUR BETWEEN THE
TWO STRONGER COLOURS OF THE CLIENT'S OFFICE'S
EXTERNAL IMAGE WITH PATHWAY TO ENTRY
THE IDEA OF THE STRUCTURE WAS ALSO BASED ON THE IDEA OF
THE "BALANCE OF POWER" WITH MIUCCIA'S OFFICE UNDER OBAMA'S
WHICH IS PERCHED OVER AND SEEMS TO BE BALANCING PRECARIOUSLY.
VIEW OF THE MID LEVEL OUTDOOR SPACE WITH THE
ELEVATORS DIRECTIONAL SIGNS SHOWING.
THE COLURS FOR THE TWO CLIENTS WERE CHOSEN AS RED FOR
MIUCCIA'S OFFICE & A POWERFUL BLUE FOR OBAMA'S, YOU MIGHT NOTICE THE
ELEVATORS ENTRY POINTS ARE COLOUR'S IN SIMILAR TONES BUT A MORE NEUTRAL TO ALSO CREATE AS SENSE OF BALANCE WHILE MOVING BETWEEN THE SPACES, UNTIL ARRIVING IN EACH CLIENTS OFFICE.
EXTERNAL IMAGE FROM ANOTHER ANGLE NOTICE MIUCCIA
OFFICE SEEMS VERY GROUNDED AND CONNECTED TO THE GROUND.
EXTERNAL IMAGE FROM OTHER SIDE, SHOWING ALL
THREE LEVELS, WITH OBAMA'S OFFICE BALANCING OVER THE
CENTRE STRUCTURE. NOTICE THE NEUTRAL COLOUR BETWEEN THE
TWO STRONGER COLOURS OF THE CLIENT'S OFFICE'S
"POWER"
On looking into the idea of power, I started to notice the many different forms and meanings of it, from coercive power structures, to power of the media and even democratic power, however it is reverent power in all aspect of the term, the seems the most term important, the power of influence, where people around the person of power show true respect in their leaders ideals and method.
The player’s ability to shift and shimmy from situation to situation while maintaining integrity in their beliefs. When that moment arises and needs to restore itself to the power that is now.
Both clients are extremely powerful people in such diverse ways to each other.
Obama is some would say the most powerful man in the world a democratically elected figure and representative of freedom or the free world.
Miuccia Prada is an icon of fashion and corporational culture, she demands respect in her ability to form trends and influence, this so called westernized culture. We are engulfed in.
However the common ground they both share is a revered power base, were the people around them respect and adhere to there beliefs and ideals, it is this commonality that they share.
The term “the power of one” is a powerful statement, however it is “the power in one” that is most powerful we can be separated by walls, state borders, oceans, skies and even galaxies and universes. But the power in the understanding that we are only but yet all one is most powerful.
We can be catergorised as black or white, young or old, one belief or another, but we are all and only one, this is truly powerful.
The clients share the machine of power or powerful machine of influence, the pistons are pumping, the cogs are turning and these two icons of powers are influencing the masses, in Obama’s case his decisions effect our lively hood.
Whether we are at war or peace, whether we have employment or not, in contrast to Prada who determines what we wear and how we wear it.
The player’s ability to shift and shimmy from situation to situation while maintaining integrity in their beliefs. When that moment arises and needs to restore itself to the power that is now.
Both clients are extremely powerful people in such diverse ways to each other.
Obama is some would say the most powerful man in the world a democratically elected figure and representative of freedom or the free world.
Miuccia Prada is an icon of fashion and corporational culture, she demands respect in her ability to form trends and influence, this so called westernized culture. We are engulfed in.
However the common ground they both share is a revered power base, were the people around them respect and adhere to there beliefs and ideals, it is this commonality that they share.
The term “the power of one” is a powerful statement, however it is “the power in one” that is most powerful we can be separated by walls, state borders, oceans, skies and even galaxies and universes. But the power in the understanding that we are only but yet all one is most powerful.
We can be catergorised as black or white, young or old, one belief or another, but we are all and only one, this is truly powerful.
The clients share the machine of power or powerful machine of influence, the pistons are pumping, the cogs are turning and these two icons of powers are influencing the masses, in Obama’s case his decisions effect our lively hood.
Whether we are at war or peace, whether we have employment or not, in contrast to Prada who determines what we wear and how we wear it.
"18 TWO POINT PERSPECTIVES"
COMPOSED-EQUALITY
NOBILITY-PURE
FORCEFUL-DYNAMIC
INVINCEABLE-STRONG
CHARASMATIC-INFLUENTIAL
POTENT-MIGHT
RESISTANCE-BRAWN
DOMINANT-OVERWHELMED
OVERWHELMING-DOMINEERING
"18 ONE POINT PERSPECTIVES"
CONTROL-PERSUASIVE
STRENGTH-PRIVELEGED
BRAVE-REVERENT
BALANCED-POISED
RIDGIDITY-INDUCED
MIGHTY-SUPREME
ENERGETIC-COERCIVE
ELITE-DYNAMIC
INTENSITY-POISED
Monday, June 1, 2009
"THE MASH UP"
BARRACK OBAMA _________________
MADONNA_______________________
MIUCCA PRADA___________________
Barack Obama's desperation to build a stronger society just ended with Miuccia Prada and Madonna's disregard for the personal lives of communists, as the recession has tightened its grip on Britain, the female celebrities known as much for their family lives as there celebrity have created benchmarks in there open contempt for the communists. The minimal black nylon backpack, draped over Madonna's ears and the turquoise raincoat worn by Miuccia Prada, are recent examples of the celebrities obsession for media exposure, as statesman to portray communists as damaging the recovery of the global financial crisis, despite being mocked by the media for the image portrayed to the fashion industry.
The lifestyle of the celebrities is an endorsement to Barrack Obama's message to the conservatives about the mismanagement of the communists. Obama's latest broadcast on the you tube website, brings a certain serenity to the situation, where common sense says designers & celebrities should grow up, and not be able to express themselves.
Season after season, Madonna & Miuccia Prada load debt on the communists and wield power endorsed by other celebrities in a political campaign to accuse the communists as the "do nothing" party with no solutions to the failing economy.
MADONNA_______________________
MIUCCA PRADA___________________
Barack Obama's desperation to build a stronger society just ended with Miuccia Prada and Madonna's disregard for the personal lives of communists, as the recession has tightened its grip on Britain, the female celebrities known as much for their family lives as there celebrity have created benchmarks in there open contempt for the communists. The minimal black nylon backpack, draped over Madonna's ears and the turquoise raincoat worn by Miuccia Prada, are recent examples of the celebrities obsession for media exposure, as statesman to portray communists as damaging the recovery of the global financial crisis, despite being mocked by the media for the image portrayed to the fashion industry.
The lifestyle of the celebrities is an endorsement to Barrack Obama's message to the conservatives about the mismanagement of the communists. Obama's latest broadcast on the you tube website, brings a certain serenity to the situation, where common sense says designers & celebrities should grow up, and not be able to express themselves.
Season after season, Madonna & Miuccia Prada load debt on the communists and wield power endorsed by other celebrities in a political campaign to accuse the communists as the "do nothing" party with no solutions to the failing economy.
Monday, May 11, 2009
INDEPENDENT STUDY 1 - EXP 3
"UNREAL TOURANMENT 2004 - IMAGES"
VIEW LOOKING UP TO THE MODEL
VIEW LOOKING DOWN TO THE MODEL
VIEW LOOKING UP TO THE MODEL
VIEW LOOKING DOWN TO THE MODEL
Monday, May 4, 2009
"EXPERIMENT 2 - FINAL SUBMISSIN"
"JAQUES-YVES COUSTEAU"
THIS IMAGE SHOW THE RAMP ENTRY FROM
JAQUES LABRATORY.THE TEXTURE ON THE SIDE OF THE VERTICAL PANELLS ARE THE MEDIUM TEXTURE FROM THE NOTEBOOK TEXTURES.
"THIS IMAGE IS FROM WITHIN THE THE VESSEL WHICH IS jAQUES LABRATORY AS IN LIFE HE LIKED TO SAIL AND BE ON THE WATER SO HE WILL IN HIS LABRATORY, AS IN A BOAT, THE LABRATORY IS SUSPENDED AND HE WILL HAVE THE ABILITY TO BE ABLE TO VIEW 360 DEGREES AS IN A SHIP OR BOAT. THE TEXTURE WRAPPING THE LOWER LIKE WALLS OF THE SAPCE ARE MY LIGHT TEXTURE FROM NOTEBOOK.
"ALFRED NOBLE"
VIEW FROM ALFRED NOBLES LABRATORY WITH AN OPEN MEZZANINE LEVE WHERE IDEAS CAN RISE FROM THE MEETING ROOM OF GREAT MINDS, AND FILL THE SPACE FOR INSPIRATION. HE CAN ALSO SEE WHEN JAQUES IS IN OR APPROACHING THE MEETING ROOM.
VIEW FROM ALFRED NOBLE'S LAB NOTICE THE FLOATING CEILING WITH LIGHTING BEHIND IT SO LIGHT FLOODS DOWN OVER THE CEILING PANEL LIKE ALFREDS IDEAS WOULD, ALSO THE LARGE GLASS PANELS TO THE EXTERNAL FOR THE VIEW & INSPIRATION, HE CAN ACTUALLY SEE JAQUES IN HIS LAB. THEFLOOR TEXTURE IS MY DARK TEXTURE FROM NOTEBOOK.
"THE RAMPS"
THIS VIEW SHOWS THE ENTRY POINTS OF BOTH RAMPS THE ONE TO THE LEFT IS LEADING TO ALFRED NOBLE LAB AND THE STAIR TO THE RIGHT LEADS UP TO THE RAMP WITH THE TUNNEL LIKE VERTICAL PANELS WHICH LEADS TO JAQUES-YVES COUSTEAU LAB. THE TUNNEL REPRESENT THE CHANNELING OF IDEAS FROM THE MEETING SPACE TO THE LAB. THE TEXTURE ON THE FLOOR IS THE DARK TEXTURE FROM MY NOTEBOOK.
THIS IMAGE SHOWS THE RAMP AS ALMOST A TUNNEL, BUT IT IS OPEN TO NATURE & IDEAS JUST HOW JAQUES WOULD HAVE LIKED IT.
THIS IMAGE SHOWS THE MEETING POIT PROTRUDING FROM THE EDGE WITH THE RAMP IN ALL ITS GLORY, I CHOSE NOT TO COVER THE RAMP COMPLETELY I WANTED OPENESS WHILE STILL MAINTAINING THE EFFECT OF THE CHANELLING OF IDEAS. THE TEXTURE ON THE VERTICAL PANELS OF THE RAMP ARE THE MEDIUM TEXTURE FROM MY NOTEBOOK.
"THE EXTERNAL IMAGES"
VIEW SHOWING THE EXTERNAL OF THE ARCHITECTURE ALONG THE FACE OF THE EDGE.
EXTERNAL IMAGE OF THE ARCHITECTURE, THE ROOF OVER THE LAB SPACE FOR REPRESENTS THE VEIL FORM JAQUES FIRST QUOTE.
EXTERNAL IMAGE OF ARCHITECTURE.
"THE LINK"
http://files.filefront.com/DM+ARCH1101+WILLIAM+LINEH2ut2/;13708117;/fileinfo.html
I WAS REALLY DISAPPOINTED IN THE LIGHTING, I ACTUALLY DESIGNED CERTAIN ELEMENTS ESPECIALLY FOR THE LIGHTING. I COULDN'T GET THE LIGHT PROPERTIES DIALOGUE BOX TO COME UP I DON'T KNOW WHY IT WAS WORKING ALL ALONG AND NOT MATTER WHAT I DID I COULDNT GET IT TO APPEAR.
THIS IMAGE SHOW THE RAMP ENTRY FROM
JAQUES LABRATORY.THE TEXTURE ON THE SIDE OF THE VERTICAL PANELLS ARE THE MEDIUM TEXTURE FROM THE NOTEBOOK TEXTURES.
"THIS IMAGE IS FROM WITHIN THE THE VESSEL WHICH IS jAQUES LABRATORY AS IN LIFE HE LIKED TO SAIL AND BE ON THE WATER SO HE WILL IN HIS LABRATORY, AS IN A BOAT, THE LABRATORY IS SUSPENDED AND HE WILL HAVE THE ABILITY TO BE ABLE TO VIEW 360 DEGREES AS IN A SHIP OR BOAT. THE TEXTURE WRAPPING THE LOWER LIKE WALLS OF THE SAPCE ARE MY LIGHT TEXTURE FROM NOTEBOOK.
"ALFRED NOBLE"
VIEW FROM ALFRED NOBLES LABRATORY WITH AN OPEN MEZZANINE LEVE WHERE IDEAS CAN RISE FROM THE MEETING ROOM OF GREAT MINDS, AND FILL THE SPACE FOR INSPIRATION. HE CAN ALSO SEE WHEN JAQUES IS IN OR APPROACHING THE MEETING ROOM.
VIEW FROM ALFRED NOBLE'S LAB NOTICE THE FLOATING CEILING WITH LIGHTING BEHIND IT SO LIGHT FLOODS DOWN OVER THE CEILING PANEL LIKE ALFREDS IDEAS WOULD, ALSO THE LARGE GLASS PANELS TO THE EXTERNAL FOR THE VIEW & INSPIRATION, HE CAN ACTUALLY SEE JAQUES IN HIS LAB. THEFLOOR TEXTURE IS MY DARK TEXTURE FROM NOTEBOOK.
"THE RAMPS"
THIS VIEW SHOWS THE ENTRY POINTS OF BOTH RAMPS THE ONE TO THE LEFT IS LEADING TO ALFRED NOBLE LAB AND THE STAIR TO THE RIGHT LEADS UP TO THE RAMP WITH THE TUNNEL LIKE VERTICAL PANELS WHICH LEADS TO JAQUES-YVES COUSTEAU LAB. THE TUNNEL REPRESENT THE CHANNELING OF IDEAS FROM THE MEETING SPACE TO THE LAB. THE TEXTURE ON THE FLOOR IS THE DARK TEXTURE FROM MY NOTEBOOK.
THIS IMAGE SHOWS THE RAMP AS ALMOST A TUNNEL, BUT IT IS OPEN TO NATURE & IDEAS JUST HOW JAQUES WOULD HAVE LIKED IT.
THIS IMAGE SHOWS THE MEETING POIT PROTRUDING FROM THE EDGE WITH THE RAMP IN ALL ITS GLORY, I CHOSE NOT TO COVER THE RAMP COMPLETELY I WANTED OPENESS WHILE STILL MAINTAINING THE EFFECT OF THE CHANELLING OF IDEAS. THE TEXTURE ON THE VERTICAL PANELS OF THE RAMP ARE THE MEDIUM TEXTURE FROM MY NOTEBOOK.
"THE EXTERNAL IMAGES"
VIEW SHOWING THE EXTERNAL OF THE ARCHITECTURE ALONG THE FACE OF THE EDGE.
EXTERNAL IMAGE OF THE ARCHITECTURE, THE ROOF OVER THE LAB SPACE FOR REPRESENTS THE VEIL FORM JAQUES FIRST QUOTE.
EXTERNAL IMAGE OF ARCHITECTURE.
"THE LINK"
http://files.filefront.com/DM+ARCH1101+WILLIAM+LINEH2ut2/;13708117;/fileinfo.html
I WAS REALLY DISAPPOINTED IN THE LIGHTING, I ACTUALLY DESIGNED CERTAIN ELEMENTS ESPECIALLY FOR THE LIGHTING. I COULDN'T GET THE LIGHT PROPERTIES DIALOGUE BOX TO COME UP I DON'T KNOW WHY IT WAS WORKING ALL ALONG AND NOT MATTER WHAT I DID I COULDNT GET IT TO APPEAR.
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